{"id":60,"date":"2013-01-25T11:51:41","date_gmt":"2013-01-25T11:51:41","guid":{"rendered":"https:\/\/blogs.ua.es\/franciscoribalta\/?p=60"},"modified":"2013-01-25T11:51:41","modified_gmt":"2013-01-25T11:51:41","slug":"la-pintura-del-s-xvii-del-naturalismo-al-barroco","status":"publish","type":"post","link":"https:\/\/blogs.ua.es\/franciscoribalta\/2013\/01\/25\/la-pintura-del-s-xvii-del-naturalismo-al-barroco\/","title":{"rendered":"La pintura del S.XVII: del Naturalismo al Barroco"},"content":{"rendered":"<p><span style=\"color: #000000\"><strong>Referencia:\u00a0<\/strong>TRIADO\u00d3, Joan -Ram\u00f3n. El Barroco. En:\u00a0<\/span><em>Historia del Arte de Espa\u00f1a.<\/em>\u00a01996.Bondas-Lunwerg. Pp:293-346. ISBN: 84-9785-160-9<\/p>\n<p><strong>Descripci\u00f3n:<\/strong><\/p>\n<p>Val\u00e9ncia iniciar\u00e1 una escuela pict\u00f3rica de gran importancia, con la figura del sols\u00f3nes Francisco Ribalta (1565-1628). Influido en sus inicios por los pintores manieristas del foco escurialense, despu\u00e9s evolucionar\u00e1 hacia un naturalismo claroscurista de gran personalidad y fuerte tenebrismo en composiciones como su obra: Cristo abrazando a San Bernardo.1622, \u00f3leo sobre lienzo; que se encuentra en el Museo del Prado de Madrid.<br \/>\n<a href=\"https:\/\/blogs.ua.es\/franciscoribalta\/files\/2013\/01\/ribalta.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-61\" src=\"https:\/\/blogs.ua.es\/franciscoribalta\/files\/2013\/01\/ribalta.jpg\" alt=\"\" width=\"184\" height=\"274\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Referencia:\u00a0TRIADO\u00d3, Joan -Ram\u00f3n. El Barroco. En:\u00a0Historia del Arte de Espa\u00f1a.\u00a01996.Bondas-Lunwerg. Pp:293-346. ISBN: 84-9785-160-9 Descripci\u00f3n: Val\u00e9ncia iniciar\u00e1 una escuela pict\u00f3rica de gran importancia, con la figura del sols\u00f3nes Francisco Ribalta (1565-1628). Influido en sus inicios por los pintores manieristas del foco &hellip; <a href=\"https:\/\/blogs.ua.es\/franciscoribalta\/2013\/01\/25\/la-pintura-del-s-xvii-del-naturalismo-al-barroco\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2870,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[94099],"tags":[4551,185685,185693,5310,185679,185686,1024],"class_list":["post-60","post","type-post","status-publish","format-standard","hentry","category-capitulos-de-libros","tag-barroco","tag-claroscuro","tag-naturalismo","tag-pintor","tag-ribalta","tag-tenebrismo","tag-valencia"],"_links":{"self":[{"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/posts\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/users\/2870"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/comments?post=60"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/posts\/60\/revisions"}],"predecessor-version":[{"id":62,"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/posts\/60\/revisions\/62"}],"wp:attachment":[{"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/media?parent=60"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/categories?post=60"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ua.es\/franciscoribalta\/wp-json\/wp\/v2\/tags?post=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}