{"id":219,"date":"2014-12-07T19:10:19","date_gmt":"2014-12-07T19:10:19","guid":{"rendered":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/?p=219"},"modified":"2014-12-07T22:19:16","modified_gmt":"2014-12-07T22:19:16","slug":"moliere","status":"publish","type":"post","link":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/2014\/12\/07\/moliere\/","title":{"rendered":"Moli\u00e8re"},"content":{"rendered":"<table width=\"628\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" bgcolor=\"#FFFFFF\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"340\">\n<p style=\"text-align: center\"><a href=\"https:\/\/blogs.ua.es\/literaturaenelbarroco\/files\/2014\/12\/c3d6dbf34ceb09f68deec836bd0071dd.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-220\" alt=\"MP00200\" src=\"https:\/\/blogs.ua.es\/literaturaenelbarroco\/files\/2014\/12\/c3d6dbf34ceb09f68deec836bd0071dd-251x300.jpg\" width=\"251\" height=\"300\" srcset=\"https:\/\/blogs.ua.es\/literaturaenelbarroco\/files\/2014\/12\/c3d6dbf34ceb09f68deec836bd0071dd-251x300.jpg 251w, https:\/\/blogs.ua.es\/literaturaenelbarroco\/files\/2014\/12\/c3d6dbf34ceb09f68deec836bd0071dd.jpg 839w\" sizes=\"auto, (max-width: 251px) 100vw, 251px\" \/><\/a><\/p>\n<p style=\"text-align: justify\">(Jean-Baptiste Poquelin; Par\u00eds, 1622 &#8211; id., 1673) Dramaturgo y actor franc\u00e9s.\u00a0El gran m\u00e9rito de Moli\u00e8re consisti\u00f3 en adaptar la<i>commedia dell\u2019arte<\/i>\u00a0a las formas convencionales del teatro franc\u00e9s, para lo que unific\u00f3 m\u00fasica, danza y texto y privilegi\u00f3 casi siempre los recursos c\u00f3micos, y en luchar contra las hipocres\u00edas de su tiempo mediante la iron\u00eda.<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>(Jean-Baptiste Poquelin; Par\u00eds, 1622 &#8211; id., 1673) Dramaturgo y actor franc\u00e9s.\u00a0El gran m\u00e9rito de Moli\u00e8re consisti\u00f3 en adaptar lacommedia dell\u2019arte\u00a0a las formas convencionales del teatro franc\u00e9s, para lo que unific\u00f3 m\u00fasica, danza y texto y privilegi\u00f3 casi siempre los recursos c\u00f3micos, y en luchar contra las hipocres\u00edas de su tiempo mediante la iron\u00eda. &nbsp;<\/p>\n","protected":false},"author":2511,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307,6674],"tags":[1922,1716023,1701],"class_list":["post-219","post","type-post","status-publish","format-standard","hentry","category-articulos","category-recursos-electronicos","tag-francia","tag-moliere","tag-teatro"],"_links":{"self":[{"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/posts\/219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/users\/2511"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/comments?post=219"}],"version-history":[{"count":2,"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/posts\/219\/revisions"}],"predecessor-version":[{"id":252,"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/posts\/219\/revisions\/252"}],"wp:attachment":[{"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/media?parent=219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/categories?post=219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ua.es\/literaturaenelbarroco\/wp-json\/wp\/v2\/tags?post=219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}