{"id":361,"date":"2011-01-04T12:31:28","date_gmt":"2011-01-04T10:31:28","guid":{"rendered":"https:\/\/blogs.ua.es\/musicaeuropea\/"},"modified":"2011-01-04T21:19:21","modified_gmt":"2011-01-04T19:19:21","slug":"escucha","status":"publish","type":"page","link":"https:\/\/blogs.ua.es\/musicaeuropea\/escucha\/","title":{"rendered":"Escucha"},"content":{"rendered":"

Audiciones M\u00fasica vocal:<\/strong><\/p>\n

– Guerrero: Zagales, sin seso vengo.<\/em><\/p>\n

– Lasso: Jesu nostra redemptio<\/em><\/p>\n

– Palestrina: Tribulationes<\/em><\/p>\n

– Victoria: Ave Mar\u00eda<\/em><\/p>\n

(En Antolog\u00eda Sonora IM\/MEC)<\/p>\n

Audiciones de polifon\u00eda profana:<\/strong><\/p>\n

– Juan de la Encina: M\u00e1s vale trocar<\/em> (villancico)<\/p>\n

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– Juan de la Encina: Romerico<\/em> (villancico).<\/p>\n

– Juan V\u00e1zquez: De los \u00e1lamos vengo<\/em> (villancico).<\/p>\n

– Crist\u00f3bal de Morales: Canci\u00f3n amatoria.<\/em><\/p>\n

(En Antolog\u00eda Sonora IM\/MEC)<\/p>\n

Audiciones m\u00fasica instrumental:<\/strong><\/p>\n

– Instrumentos antiguos: vielas, la\u00fad, vihuela, viola de gamba, arpa, clave, flautas dulces, cromornos, sacabuches…..<\/p>\n

– Cabez\u00f3n: diferencias sobre el Canto del Caballero.<\/p>\n

– Mil\u00e1n: Fantas\u00eda IV de segundo tono t X de 1\u00ba y 2\u00ba tonos.<\/em><\/p>\n

– Ortiz: ricercare VIII<\/em>.
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– Gabrielli: Canzon noni toni<\/em>
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Audiciones M\u00fasica vocal: – Guerrero: Zagales, sin seso vengo. – Lasso: Jesu nostra redemptio – Palestrina: Tribulationes – Victoria: Ave Mar\u00eda (En Antolog\u00eda Sonora IM\/MEC) Audiciones de polifon\u00eda profana: – Juan de la Encina: M\u00e1s vale trocar (villancico) [kml_flashembed movie=”http:\/\/www.goear.com\/files\/external.swf?file=4acd098″ type=”application\/x-shockwave-flash” wmode=”transparent” quality=”high” width=”353″ height=”132″>” width=”353″ height=”123″ wmode=”transparent” \/] – Juan de la Encina: Romerico […]<\/p>\n","protected":false},"author":1779,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-361","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/pages\/361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/users\/1779"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/comments?post=361"}],"version-history":[{"count":15,"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/pages\/361\/revisions"}],"predecessor-version":[{"id":448,"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/pages\/361\/revisions\/448"}],"wp:attachment":[{"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/media?parent=361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}