{"id":51,"date":"2010-10-04T14:20:37","date_gmt":"2010-10-04T12:20:37","guid":{"rendered":"https:\/\/blogs.ua.es\/musicaeuropea\/?page_id=51"},"modified":"2011-01-04T16:43:51","modified_gmt":"2011-01-04T14:43:51","slug":"bibliografia","status":"publish","type":"page","link":"https:\/\/blogs.ua.es\/musicaeuropea\/bibliografia\/","title":{"rendered":"Bibliograf\u00eda"},"content":{"rendered":"<p><strong><em>&#8220;Historia de la m\u00fasica&#8221; R.Fenollosa \/ I. Reig \/ D.Rubio<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>&#8220;Historia general de la m\u00fasica II: desde el Renacimiento al Barroco&#8221; A. Robertson y D. Stevens<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/blogs.ua.es\/musicaeuropea\/files\/2010\/10\/27.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-351\" src=\"https:\/\/blogs.ua.es\/musicaeuropea\/files\/2010\/10\/27.jpg\" alt=\"\" width=\"200\" height=\"299\" \/><\/a><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>&#8220;Comprende y ama la m\u00fasica&#8221; Mariano P\u00e9rez<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/blogs.ua.es\/musicaeuropea\/files\/2010\/10\/compren.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-352\" src=\"https:\/\/blogs.ua.es\/musicaeuropea\/files\/2010\/10\/compren.gif\" alt=\"\" width=\"212\" height=\"233\" \/><\/a><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>&#8220;Materiales did\u00e1cticos para el estudio de la Historia de la M\u00fasica&#8221; Juan Miguel Gonz\u00e1lez Mart\u00ednez<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/blogs.ua.es\/musicaeuropea\/files\/2010\/10\/um_publicaciones.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-353\" src=\"https:\/\/blogs.ua.es\/musicaeuropea\/files\/2010\/10\/um_publicaciones.jpg\" alt=\"\" width=\"200\" height=\"286\" \/><\/a><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>&#8220;La enciclopedia del estudiante&#8221; M\u00fasica\u00a0(Editorial: Santillana)<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Historia de la m\u00fasica&#8221; R.Fenollosa \/ I. Reig \/ D.Rubio \u00a0 \u00a0 &#8220;Historia general de la m\u00fasica II: desde el Renacimiento al Barroco&#8221; A. Robertson y D. Stevens \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 &#8220;Comprende y ama la m\u00fasica&#8221; Mariano P\u00e9rez \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 [&hellip;]<\/p>\n","protected":false},"author":1779,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-51","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/pages\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/users\/1779"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":26,"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/pages\/51\/revisions"}],"predecessor-version":[{"id":413,"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/pages\/51\/revisions\/413"}],"wp:attachment":[{"href":"https:\/\/blogs.ua.es\/musicaeuropea\/wp-json\/wp\/v2\/media?parent=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}